13/40
Gaga also discusses how she entered and stayed in her dark persona
Story
Struggling with his dual identity, failed comedian Arthur Fleck meets the love of his life, Harley Quinn, while incarcerated in Arkham State Hospital. Lady Gaga, Brendan Gleeson, and writer-director Todd Phillips discuss what scared them most while making the musical sequel. The film’s subtitle, “Folie a Deux,” translates to “The Madness of Two” in French. This initially led to speculation that Harley Quinn would appear in the film, which was soon confirmed.
It is also called Lasègue-Falret Syndrome
The name Folie a Deux comes from 19th-century French psychiatrists Charles Lasègue and Jules Falret. The term was coined to refer to two or more people who share the same madness or delusion. The jury chairman talks about the show “People of New York”; instead of Gotham City. This is because New York State is the prosecutor in the criminal case, and this version of Gotham City is apparently located in New York State (most versions place Gotham in New Jersey).
logo surrounded by rings and the face of the Joker
Arthur Fleck: [Written as an ominous autograph with a sad smiley face] I hope you get cancer. The film opens with the Looney Tunes title sequence, featuring the Warner Bros. Featuring the crazy cartoon cast of AniMat: The Wicked Discovery of Life (2022). Merrily We Roll Along, written by Eddie Cantor, Murray Mencher, and Charles Tobias.
Joaquin Phoenix’s performance is good, but it lacks the raw intensity that defined his role in the original
This feels more like a spin-off than a true sequel, as it spends most of its time rehashing the original in courtroom scenes and interviews rather than pushing the story forward. The writing is serviceable at best, often relying on thin threads to loosely connect one musical dream sequence to another. On the other hand, Lady Gaga seems to have deliberately toned down her usual flamboyance, perhaps so as not to overshadow him, which, while understandable, feels like a missed opportunity for a more dynamic performance. The musical numbers, full of energy and spectacle, are certainly the highlight of the film, with the singing and dancing providing moments of respite from the slow-paced narrative.
Unfortunately, these sequences fail to sustain the film’s momentum
The lack of significant action makes the film feel overlong, stretching over two hours and feeling unnecessarily drawn out. Lacking the oppressive psychological tension of its predecessor, the film struggles to find its footing, leaving it more of an indulgent musical theater showcase than a coherent, engaging continuation of the story. Check out our list of exciting new films from this year’s festivals, including Venice, TIFF, the New York Film Festival, and more.
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